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050 4 _aPN1992-1992.92
072 7 _aAPT
_2bicssc
072 7 _aPER010000
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072 7 _aATJ
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245 1 0 _aTelevision Studies and Research on Series
_h[electronic resource] :
_bTheory, history and present of (post-)televisual seriality /
_cedited by Denis Newiak, Dominik Maeder, Herbert Schwaab.
250 _a1st ed. 2024.
264 1 _aWiesbaden :
_bSpringer Fachmedien Wiesbaden :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aVI, 311 p. 20 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
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347 _atext file
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505 0 _aContributions on: Television as a plural and transmedial concept? -- Spatialized transmediality - processual seriality -- Historical perspectives in the 'quality series' discourse of the television industry -- Television series against late modern loneliness: Forms of telemedial communion exemplified by 13 Reasons Why -- On expelling television from the television series: reality TV and staggered seriality -- Evidence in series? Time and reality references of serial television formats in the digital transformation -- Game in series - Black Mirror: Bandersnatch.
520 _aTelevision series enjoy an unbroken – popular as well as scholarly – attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven – economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual – and what, in turn, can be learned from this for seriality beyond television? The essays in this volume shed new light on the serial as a core principle of television, thus providing new impulses for a television theory of the serial on the basis of examples from the current range of television series. The Editors Dr. Denis Newiak is a research associate at the Chair of Applied Media Studies at the Brandenburg University of Technology Cottbus-Senftenberg. Dr. Dominik Maeder is an independent researcher. Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL. com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. .
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650 2 4 _aFilm and TV History.
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650 2 4 _aGlobal Film and TV.
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650 2 4 _aAudio-Visual Culture.
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