| 000 | 03916nam a22006015i 4500 | ||
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| 001 | 978-3-031-61653-2 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112638.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240720s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031616532 _9978-3-031-61653-2 |
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| 024 | 7 |
_a10.1007/978-3-031-61653-2 _2doi |
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| 050 | 4 | _aNX280-410 | |
| 072 | 7 |
_aJNU _2bicssc |
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| 072 | 7 |
_aA _2bicssc |
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_aEDU029050 _2bisacsh |
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_aJNU _2thema |
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_aA _2thema |
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| 100 | 1 |
_aCook, Peter J. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _980912 |
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| 245 | 1 | 0 |
_aChoreographic Practice in Online Pedagogy _h[electronic resource] / _cby Peter J. Cook. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXIX, 286 p. 26 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 1 |
_aCreativity, Education and the Arts, _x2947-8332 |
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| 505 | 0 | _a1: ENTERING THE RHIZOME -- 2: LEARNING THROUGH TECHNOLOGY IN DANCE -- 3: CENTRING CHOREOGRAPHIC PRACTICE IN DANCE LEARNING -- 4: A/R/TOGRAPHY AS THEORY -- 5: INITIAL RUPTURES OF CHOREOGRAPHIC PRACTICE -- 6: THE AUSTRALIAN DANCE PLATEAU -- 7: THEORIES OF CHOREOGRAPHIC PRACTICE -- 8: A LIVING INQUIRY -- 9: METHODS OF MOVEMENT -- 10: THE ARTISTS’ WORKS -- 11: APPLYING A/R/TOGRAPHIC RENDERINGS TO THE ARTISTIC WORKS -- 12: THE TEACHERS’ WORKS -- 13: APPLYING A/R/TOGRAPHIC RENDERINGS TO THE TEACHERS’ WORKS -- 14: SPACE TIME DYNAMICS -- 15: UNDERSTANDING THE MULTIPLICITIES. | |
| 520 | _aThis book examines a creative approach to exploring choreographic practice artistically, theoretically, and pedagogically. It explores the interweaving of dance, dance teaching, dance onto-epistemologies, and choreography with a particular focus on creating dance with digital technologies. The idea of centring choreography in dance education fundamentally challenges typical conceptions of best practice in the preparation and delivery, appropriateness, and effectiveness of dance performance, teaching and learning experiences. It purposefully privileges creativity as a critical learning paradigm, extending the ways in which creativity studies are enriching performance scholarship as well as performance teaching. The book acknowledges the importance of the artist teacher nexus and presents choreographic practice as the centre of learning in dance, with a focus on digital platforms. Peter J. Cook is Head of School and Dean, Education, at the University of Southern Queensland, Australia. His research is primarily centred on understanding learning through, dance, education and creativity and their associated practices. Additionally, Peter’s work is informed by his vast experience in initial teacher education and extending into creativity in leadership. | ||
| 650 | 0 |
_aArt _xStudy and teaching. _967176 |
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| 650 | 0 |
_aTeaching. _959247 |
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| 650 | 0 |
_aDance. _967903 |
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| 650 | 0 |
_aPerforming arts. _967607 |
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| 650 | 0 |
_aTheater. _966691 |
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| 650 | 1 | 4 |
_aCreativity and Arts Education. _967177 |
| 650 | 2 | 4 |
_aPedagogy. _968979 |
| 650 | 2 | 4 |
_aDance. _967903 |
| 650 | 2 | 4 |
_aTheatre and Performance Arts. _967611 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031616525 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031616549 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031616556 |
| 830 | 0 |
_aCreativity, Education and the Arts, _x2947-8332 _980913 |
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| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-61653-2 |
| 912 | _aZDB-2-EDA | ||
| 912 | _aZDB-2-SXED | ||
| 999 |
_c61754 _d61754 |
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