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020 _a9789819724888
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024 7 _a10.1007/978-981-97-2488-8
_2doi
050 4 _aN5300-7418
072 7 _aAC
_2bicssc
072 7 _aART015000
_2bisacsh
072 7 _aAGA
_2thema
100 1 _aVennes Cheng, Sau Wai.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_981576
245 1 0 _aArchive as Detour
_h[electronic resource] :
_bHistorical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong /
_cby Sau Wai Vennes Cheng.
250 _a1st ed. 2024.
264 1 _aSingapore :
_bSpringer Nature Singapore :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXV, 241 p. 81 illus., 72 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aContemporary East Asian Visual Cultures, Societies and Politics,
_x2662-771X
505 0 _aChapter 1. Introduction -- Chapter 2. Art, Archive, and History(ies) -- Chapter 3. The Assemblage of Ha Bik Chuen - his art and his archive as art -- Chapter 4. Image Constellation - The encounter of Ha Bik Chuen’s Modified Books & Aby Warburg’ Mnemosyne Atlas -- Chapter 5. Counter-memorial strategy - The disabled histories in the archival practices of Leung Chi Wo and Lee Kai Chung -- Chapter 6. Staging the archive - the curatorial as detour -- Chapter 7. Epilogue, the becoming histories.
520 _aThe book brings a new approach to see the art history of Hong Kong as a historical mediator and offers alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts. The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen Archive, and archival art practices of contemporary Hong Kong, particularly in the social and political unrests, however, it ripples resonance and reflection not only in the local context but also to the region. The book is intended to the readers who are interested in both representational and interpretational nature of art and searching for alternatives means to perceive histories. Sau Wai Vennes Cheng, is a scholar, writer, and Associate Curator, Hong Kong Visual Culture, M+, Hong Kong Hong Kong based independent curator and scholar; she received a Ph.D. of History of Chinese Art from The Chinese University of Hong Kong and MA in Cultural Studies from Goldsmiths, University of London. Cheng’s research areas include modern and contemporary art of Hong Kong and China, artist archive, archival art practices, and historical and mnemonic contingency.
650 0 _aArt
_xHistory.
_968955
650 0 _aEthnology.
_958687
650 0 _aCulture.
_959159
650 0 _aArts.
_965405
650 0 _aAsia
_xPolitics and government.
_969658
650 1 4 _aArt History.
_968957
650 2 4 _aRegional Cultural Studies.
_968595
650 2 4 _aArts.
_965405
650 2 4 _aAsian Politics.
_969661
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9789819724871
776 0 8 _iPrinted edition:
_z9789819724895
776 0 8 _iPrinted edition:
_z9789819724901
830 0 _aContemporary East Asian Visual Cultures, Societies and Politics,
_x2662-771X
_966904
856 4 0 _uhttps://doi.org/10.1007/978-981-97-2488-8
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c62063
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