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024 7 _a10.1007/978-981-97-2906-7
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245 1 0 _aRethinking Displays of Chinese Contemporary Art
_h[electronic resource] :
_bCultural Diversity and Tradition /
_cedited by Paul Gladston, Lynne Howarth-Gladston, Johnson Tsong-zung Chang, Jason Kuo.
250 _a1st ed. 2024.
264 1 _aSingapore :
_bSpringer Nature Singapore :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXXIII, 244 p. 65 illus., 63 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
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_2rdamedia
338 _aonline resource
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_2rdacarrier
347 _atext file
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490 1 _aContemporary East Asian Visual Cultures, Societies and Politics,
_x2662-771X
505 0 _aChapter 1: Introduction -- Chapter 2: Aestheticized Display in China’s Three Cosmological Realms -- Chapter 3: Performing Artivism: Social Engaged Queer Art in China -- Chapter 4: Curating Global Contemporary Chinese-Ink Art: Zheng Chongbin’s Pictorial and Digital Ink Works in Western Art Institutional Contexts -- Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box: toward the displaying of visual-cultural poly/cacophony -- Chapter 6: Pharmakon – socially engaged art and online hybrid display in Hong Kong -- Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People and Place in Mainland China -- Chapter 8: Beyond Existing Approaches to the Displaying of Chinese Art: Three Case Studies.
520 _aThis is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity. Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia. Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the People’s Republic of China, the UK, and Australia. Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou. Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US.
650 0 _aArt, Modern
_x21st century.
_966083
650 1 4 _aContemporary Art.
_966085
700 1 _aGladston, Paul.
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700 1 _aHowarth-Gladston, Lynne.
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700 1 _aTsong-zung Chang, Johnson.
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_982590
700 1 _aKuo, Jason.
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710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
_z9789819729081
830 0 _aContemporary East Asian Visual Cultures, Societies and Politics,
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_966904
856 4 0 _uhttps://doi.org/10.1007/978-981-97-2906-7
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