| 000 | 03351nam a22005535i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-64206-7 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112902.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240821s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031642067 _9978-3-031-64206-7 |
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| 024 | 7 |
_a10.1007/978-3-031-64206-7 _2doi |
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| 050 | 4 | _aHE1-9900 | |
| 050 | 4 | _aP87-96 | |
| 072 | 7 |
_aKNT _2bicssc |
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| 072 | 7 |
_aBUS070060 _2bisacsh |
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| 072 | 7 |
_aKNT _2thema |
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| 100 | 1 |
_aWilliams, Christina. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _982630 |
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| 245 | 1 | 0 |
_aWork of Fiction _h[electronic resource] : _bMaking a Living from Writing in the UK / _cby Christina Williams. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXI, 227 p. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 1 |
_aCreative Working Lives, _x2662-4168 |
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| 505 | 0 | _a1: Introduction: the precarious work of diction writing -- 2: Theorizing the Writer as Cultural Worker.-3: Making a Living From Writing Fiction -- 4: Writing as Work and Not-Work -- 5: The Future-Orientation of Writers: hope and maybeness -- 6: Discourses of Writing -- 7: Conclusions. | |
| 520 | _aWork of Fiction: Making a Living from Writing in the UK explores the lived experiences of fiction writers in the UK and how they make a living. Based on a substantial body of interviews with a range of fiction writers, it considers the ways that writers think about and talk about writing as work and how ‘discourses of writing’ operate to support or undermine them as cultural workers. It argues that discourses of love, luck, magic, and ‘being a writer’ function in complex ways to position writers in enchanted and elevated spaces which both nurture their practice and undermine their status as remunerated workers in the creative sector. The book shows how the positives and negatives of often precarious cultural work are played out for fiction writers. It has implications for writers in the ways that they think about and talk about themselves as workers, and how the publishing industry values their contributions. Christina Williams is Research Fellow in Cultural Economies & Associate Lecturer in Media Communications at the University of West England, Bristol, UK. | ||
| 650 | 0 |
_aCommunication and traffic. _967737 |
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| 650 | 0 | _aCreative writing. | |
| 650 | 0 |
_aCultural policy. _967609 |
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| 650 | 1 | 4 |
_aMedia Industries. _967740 |
| 650 | 2 | 4 | _aCreative Writing. |
| 650 | 2 | 4 |
_aCultural Policy and Politics. _967613 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031642050 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031642074 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031642081 |
| 830 | 0 |
_aCreative Working Lives, _x2662-4168 _969603 |
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| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-64206-7 |
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_c62607 _d62607 |
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