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020 _a9789819761401
_9978-981-97-6140-1
024 7 _a10.1007/978-981-97-6140-1
_2doi
050 4 _aN5300-7418
072 7 _aAC
_2bicssc
072 7 _aART015000
_2bisacsh
072 7 _aAGA
_2thema
100 1 _aWang, Min'an.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_983512
245 1 4 _aThe Emergence of Chinese Avant-Garde Art
_h[electronic resource] /
_cby Min'an Wang, Xiaoping Song.
250 _a1st ed. 2024.
264 1 _aSingapore :
_bSpringer Nature Singapore :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aV, 138 p. 2 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _a1. The Transformation of Realism: From "The Bloodstained Shirt" to "Father" -- 2. Reform and Opening up and the Start of the Desiring Machine -- 3. The Emergence of Chinese Avant-Garde Art -- 4. The Climax: '85 New Wave of Art -- 5. Epilogue: '89 Modern Art Exhibition.
520 _aThis book provides a historical analysis of the avant-garde art movement in China in the 1980s. This art movement is the product of China's reform and opening up, during which time a small number of Chinese artists understood the western modernist art movement, and they started their avant-garde art experiment in combination with the actual situation of China. This avant-garde art experiment completely broke all the artistic styles in Chinese history, and it caused a huge shock. After about a decade of radical attempts, it began to form its own position in China. This book discusses its birth background, its dominant artists and works, its theme and interest, and its final decline. This is not only a work of art history, but also a work of cultural history with strong sociological analysis. This book is beautiful in writing, detailed in analysis and highly readable. It is a very suitable book for those who want to know avant-garde art and Chinese since the 1980s. Min'an Wang, professor of Tsinghua University, mainly engaged in critical theory, cultural studies, modern art and literature, author of Roland Barthes，The Limits of Michel Foucault, Friedrich Nictzsche and Body,etc. Xiaoping Song, associate professor at University of International Business and Economics, mainly engaged in literary research and literary criticism, author of The Field of Women's Writings and Desire.
650 0 _aArt
_xHistory.
_968955
650 0 _aArt, Modern
_x21st century.
_966083
650 0 _aChina
_xHistory.
_966901
650 1 4 _aArt History.
_968957
650 2 4 _aContemporary Art.
_966085
650 2 4 _aHistory of China.
_966903
700 1 _aSong, Xiaoping.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_983513
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9789819761395
776 0 8 _iPrinted edition:
_z9789819761418
776 0 8 _iPrinted edition:
_z9789819761425
856 4 0 _uhttps://doi.org/10.1007/978-981-97-6140-1
912 _aZDB-2-HTY
912 _aZDB-2-SXH
999 _c63009
_d63009