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020 _a9783031625428
_9978-3-031-62542-8
024 7 _a10.1007/978-3-031-62542-8
_2doi
050 4 _aPN760.5-769
072 7 _aDSBF
_2bicssc
072 7 _aLIT024040
_2bisacsh
072 7 _aDSBF
_2thema
245 1 0 _aCharlotte Mew: Poetics, Bodies, Ecologies
_h[electronic resource] /
_cedited by Francesca Bratton, Megan Girdwood, Fraser Riddell.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXIII, 284 p. 10 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in Nineteenth-Century Writing and Culture,
_x2634-6508
520 _a"This book emancipates Charlotte Mew from the silences of the past. With magisterial essays on the lyric, on poetic performance, on trans and queer studies, care and health, biography and so much more, it brings to our present the rhythms of her poetry, her meditations on the natural world, the performances of what she called her ‘queer uncertain mind’. Decadent, Modern, it shows a Mew that is new and of a world that is also us. This book inspires us to read Mew’s oeuvre and the work of the very fine essayists present in this book." —Ana Parejo Vadillo, Reader in Victorian Literature and Culture, Birkbeck, University of London This collection of essays explores the life and works of the British poet and author of short stories Charlotte Mew (1869-1928). It represents the first volume dedicated solely to critical engagement with the full range of Mew’s poetry, fiction and essays. Mew moved within a remarkable range of literary and intellectual circles, from The Yellow Book in the 1890s to Bloomsbury’s Poetry Bookshop in the 1910s. As such, her work challenges traditional distinctions between literary periods and sits within the more expansive framework of the long nineteenth century and its legacies. Each chapter contextualises Mew’s oeuvre by examining her experiments with poetic and narrative genres in relation to her wider late Victorian and early modernist intellectual milieu. The volume draws together literary scholars working across the fields of poetry and poetics, decadence, modernism, ecocriticism and queer theory, while illustrating the particular stylistic and thematic complexities of Mew’s writing. Francesca Bratton is Kildare Arts Writer in Residence at the Department of English, Maynooth University, Ireland. She is author of Visionary Company: Hart Crane and Modernist Magazines (2022). Megan Girdwood is Lecturer in English Literature, 1880–1940 at the University of Edinburgh, UK. She is author of Modernism and the Choreographic Imagination: Salome’s Dance after 1890 (2021). Fraser Riddell is Assistant Professor in English and Medical Humanities at Durham University, UK. He is author of Music and the Queer Body in English Literature at the Fin de Siècle (2022).
650 0 _aLiterature, Modern
_x19th century.
650 0 _aComparative literature.
650 0 _aPoetry.
_966137
650 0 _aProse literature.
_968654
650 0 _aEcocriticism.
_944023
650 1 4 _aNineteenth-Century Literature.
650 2 4 _aComparative Literature.
650 2 4 _aPoetry and Poetics.
_966141
650 2 4 _aNarrative Text and Prose.
_968655
650 2 4 _aEcocriticism.
_944023
700 1 _aBratton, Francesca.
_eeditor.
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700 1 _aGirdwood, Megan.
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_4http://id.loc.gov/vocabulary/relators/edt
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700 1 _aRiddell, Fraser.
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710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031625411
776 0 8 _iPrinted edition:
_z9783031625435
776 0 8 _iPrinted edition:
_z9783031625442
830 0 _aPalgrave Studies in Nineteenth-Century Writing and Culture,
_x2634-6508
_968844
856 4 0 _uhttps://doi.org/10.1007/978-3-031-62542-8
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