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020 _a9783031655104
_9978-3-031-65510-4
024 7 _a10.1007/978-3-031-65510-4
_2doi
050 4 _aPN715-749
072 7 _aDSB
_2bicssc
072 7 _aLIT024000
_2bisacsh
072 7 _aDSB
_2thema
100 1 _aKo, Yu Jin.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_983885
245 1 0 _aShakespeare's Original Stage Conditions and their Afterlives across the Globe
_h[electronic resource] :
_bFrom the Wooden O to the Yards of Seoul /
_cby Yu Jin Ko.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXI, 270 p. 13 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aGlobal Shakespeares,
_x2947-891X
505 0 _aIntroduction. -Chapter 1: .-A Little Touch of Harry in the Light: Henry V at the New Globe. -Chapter 2:. -Consent and Animation in A Midsummer Night’s Dream: The Korean Madang as a New Green World. -Chapter 3: -- From the Wooden O to Tim Blake Nelson’s O: The Boy Actor’s voice and the Performance of Gender and Race. -Chapter 4: -- Dance and Deception in Othello: Desdemona’s ‘Turn’ in Omkara and Huapango. -Chapter 5: .-Observing Shakespeare's Lighting Effects in Romeo and Juliet. -Chapter 6: .-The Winter's Tale and Privileged Spectatorship: At the Globe and in Tokyo. -Chapter 7: .-Authenticity through Intermedial Liveness: Throne of Blood and The King and the Clown. -Chapter 8: .-Youth and Authenticity in Hamlet: Burbage in his 30s and a Sexagenarian Hamlet in Seoul.
520 _aThis book brings together two separate fields by combining a study of Shakespeare's original stage conditions with an exploration of his plays in performance across the globe. The book contributes new insights into how early-modern stage conditions shaped the writing, production, and reception of Shakespeare's plays, but takes the further step of examining how original stage conditions re-emerge, not only in Globe replicas like the London Globe, but in unexpected and sometimes unconscious reconfigurations in adaptations and productions from around the world: film versions of Othello from Mexico to India that take dancing cues and anxieties about dance from the play and centralize dance; Korean adaptations for the madang (or yard) that reimagine Shakespeare's theatrical spaces and their relationships to audiences; Noh re-imaginings on film and onstage that foreground the theatrical; a teen film remake of Othello that raises questions about how blackness is figured today and on Shakespeare's stage, among others. By studying original stage conditions and their global afterlives, the book illuminates how global productions negotiate historical and cultural differences and thereby, paradoxically, engage with the cultural specificities of the present. Yu Jin Ko is Professor of English at Wellesley College, USA. His research centers on Shakespeare, with a focus on performance, and a more recent emphasis on Shakespeare in production across the globe, especially in the East. Previous publications include Mutability and Division on Shakespeare’s Stage (2004), and the co-edited collection Shakespeare’s Sense of Character: On the Page and From the Stage (2012).
650 0 _aEuropean literature
_xRenaissance, 1450-1600.
_967445
650 0 _aTheater.
_966691
650 0 _aAdaptation (Literary, artistic, etc.).
_967648
650 0 _aDrama.
650 1 4 _aEarly Modern and Renaissance Literature.
_967447
650 2 4 _aGlobal and International Theatre and Performance.
_966696
650 2 4 _aAdaptation Studies.
_967652
650 2 4 _aDrama.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031655098
776 0 8 _iPrinted edition:
_z9783031655111
776 0 8 _iPrinted edition:
_z9783031655128
830 0 _aGlobal Shakespeares,
_x2947-891X
_983886
856 4 0 _uhttps://doi.org/10.1007/978-3-031-65510-4
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c63181
_d63181