000 04068nam a22005415i 4500
001 978-3-031-64491-7
003 DE-He213
005 20251030113034.0
007 cr nn 008mamaa
008 240911s2024 sz | s |||| 0|eng d
020 _a9783031644917
_9978-3-031-64491-7
024 7 _a10.1007/978-3-031-64491-7
_2doi
050 4 _aPN1993-1999
072 7 _aAP
_2bicssc
072 7 _a1F
_2bicssc
072 7 _aPER004000
_2bisacsh
072 7 _aAT
_x1F
_2thema
100 1 _aSrour, Némésis.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_984046
245 1 0 _aBollywood Film Traffic
_h[electronic resource] :
_bA History of Hindi Films’ Circulation in Beirut, Cairo, and Dubai (1954–2014) /
_cby Némésis Srour.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXVII, 180 p. 11 illus., 10 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in Arab Cinema,
_x2731-4901
505 0 _aChapter 1 – Paving the way, Bollywood in Egyptian Cinema halls -- Chapter 2 – Egypt made in Bollywood. Picturing the Arab world -- Chapter 3 – The fabrics of Bollywood: Weaving Films into Trade routes -- Chapter 4 – Bollywood Comes to Beirut. Shooting the Arab world -- Chapter 5 – Choubra Palace’s Hero. Amitabh Bachchan and the Golden Age of Hindi Films -- Chapter 6 – Falling Apart. End of Reign for Bollywood?.-Chapter 7 – Conquering Dubai? Bollywood and the Mediatic Boom -- Chapter 8 – When Bollywood builds Dubai Cinematic Imagery. Renewed visions of the Arabian Peninsula -- Chapter 9 - Conclusion.
520 _aThis book brings to light a lesser-explored facet of cultural globalization by unearthing Bollywood films circulations in the Middle East. Delving into the intricacies of South-South cinematic circuits, it unveils the networks linking the Bombay film industry with the Arab world. Through a blend of historical analysis and ethnographic insights, the book offers an exploration of how film circulations have evolved amidst geopolitical shifts and technological advancements. By reframing our perspective to view Arab cinema cultures through the lens of the Bombay film industry, it challenges prevailing Orientalist narratives, offering a nuanced and refreshing portrayal of the Arab-speaking region. Némésis Srour holds a PhD in Social Anthropology and Ethnology from the École des Hautes Études en Sciences Sociales (EHESS) in Paris. Her research specializes in the film industry, combining historical and ethnographic approaches. She has been honored with a prize from the Agence Universitaire de la Francophonie (AUF) regional office in the Middle East for her research on Bollywood film networks in the region. Alongside her academic work, she has curated Indian and South Asian films in French cinemas, contributing to bringing these cinematographies to light. Additionally, she has taught subjects such as Indian cinema history, international relations, and film exhibition and distribution.
650 0 _aMotion pictures
_xAsia.
_978967
650 0 _aEthnology
_xMiddle East .
_969800
650 0 _aCulture.
_959159
650 1 4 _aAsian Film and TV.
_978968
650 2 4 _aMiddle Eastern Culture.
_969802
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031644900
776 0 8 _iPrinted edition:
_z9783031644924
776 0 8 _iPrinted edition:
_z9783031644931
830 0 _aPalgrave Studies in Arab Cinema,
_x2731-4901
_971172
856 4 0 _uhttps://doi.org/10.1007/978-3-031-64491-7
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c63258
_d63258