| 000 | 03384nam a22005295i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-70207-5 | ||
| 003 | DE-He213 | ||
| 005 | 20251030113056.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240920s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031702075 _9978-3-031-70207-5 |
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| 024 | 7 |
_a10.1007/978-3-031-70207-5 _2doi |
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| 050 | 4 | _aPN1993.5.U6 | |
| 072 | 7 |
_aAP _2bicssc |
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_a1K _2bicssc |
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_aPER004000 _2bisacsh |
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_aAT _x1K _2thema |
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| 100 | 1 |
_aZinman, Rick. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _984736 |
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| 245 | 1 | 0 |
_aReality and Fantasy in American Independent Cinema _h[electronic resource] : _bA Cavellian Approach / _cby Rick Zinman. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer Nature Switzerland : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXV, 204 p. 5 illus. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 505 | 0 | _aChapter1. Introduction -- Part1. Theoretical Approaches to Film Fantasy -- Chapter2. Opposition to Mainstream Fantasy -- Chapter3. A Cavellian Approach to Fantasy Film Criticism -- Part2. Reality and Fantasy in American Indie Films -- Chapter4. Fantasies of Immortality, The Good Life and Romantic Love in Only Lovers Left Alive and Groundhog Day -- Chapter5. Fantasy and Desire in Birdman -- Chapter6. The Fantasy World of The Grand Budapest Hotel -- Chapter7. Boyhood and the Mystery of Growing Up on Film. | |
| 520 | _aIn the 21st century, blockbuster fantasy films have dominated film viewership in the United States. The increased popularity of fantasy films has generated much greater scholarly interest in the study of fantasy films. It has also generated an artistic response by American Indie filmmakers who have developed alternative approaches to the portrayal of film fantasy. Reality and Fantasy in American Indie Films: A Cavellian Approach applies the methods and procedures of Cavellian philosophical film criticism to the study of four prominent American indie films released in 2014 in which fantasy can be said to play an important role: Birdman (Alejandro G. Iñárritu); Boyhood (Richard Linklater); The Grand Budapest Hotel (Wes Anderson); and Only Lovers Left Alive (Jim Jarmusch). Rick Zinman is an independent scholar based in Santa Cruz, California. His work has appeared in Film-Philosophy and Quarterly Review of Film and Video, among other publications. | ||
| 650 | 0 |
_aMotion pictures, American. _969734 |
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| 650 | 0 |
_aMotion pictures _xAesthetics. _973068 |
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| 650 | 0 |
_aMotion pictures. _958496 |
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| 650 | 1 | 4 |
_aAmerican Film and TV. _972392 |
| 650 | 2 | 4 |
_aFilm Philosophy. _973071 |
| 650 | 2 | 4 |
_aClose Readings in Film and TV. _972990 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031702068 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031702082 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031702099 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-70207-5 |
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| 912 | _aZDB-2-SXL | ||
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_c63580 _d63580 |
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