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001			978-1-137-56131-2
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020			_a9781137561312 _9978-1-137-56131-2
024	7		_a10.1057/978-1-137-56131-2 _2doi
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100	1		_aGabriele, Alberto. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _987489
245	1	4	_aThe Nineteenth-Century Novel and the Pre-Cinematic Imagination _h[electronic resource] : _bFragmentation, Animated Movement and the Modern Episteme / _cby Alberto Gabriele.
250			_a1st ed. 2024.
264		1	_aNew York : _bPalgrave Macmillan US : _bImprint: Palgrave Macmillan, _c2024.
300			_aIX, 246 p. 7 illus., 4 illus. in color. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_a1: Introduction -- 2: Traces and Origins, Signs and Meanings: Analogy and the Thaumatrope in Melville’s Pierre, or, the Ambiguities -- 3: The Portraiture of Modern Life: Dioramas, Phantasmagorias, Daguerrotypes and the Unweaving of Narrative and Textuality in Hawthorne’s House of the Seven Gables -- 4: Precinema and the Visualization of Nineteenth-Century Realism: Balzac -- Precinema and the Visualization of Nineteenth-Century Realism: Eliot -- 5: Conclusion.
520			_aThis book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography, The Nineteenth-Century Novel and the Pre-Cinematic Imagination argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme. Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism (2009) and The Emergence of Pre-Cinema: Print Culture and the Optical Toy of the Literary Imagination (2016). He also edited Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective (2017). He has previously been a Macgeorge fellow at the University of Melbourne, Australia. .
650		0	_aLiterature, Modern _x19th century.
650		0	_aLiterature _xPhilosophy. _966322
650	1	4	_aNineteenth-Century Literature.
650	2	4	_aLiterary Theory. _961787
710	2		_aSpringerLink (Online service)
773	0		_tSpringer Nature eBook
776	0	8	_iPrinted edition: _z9781349577767
776	0	8	_iPrinted edition: _z9781349961160
776	0	8	_iPrinted edition: _z9781349961252
856	4	0	_uhttps://doi.org/10.1057/978-1-137-56131-2
912			_aZDB-2-LCM
912			_aZDB-2-SXL
999			_c64943 _d64943