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020 _a9783031709425
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024 7 _a10.1007/978-3-031-70942-5
_2doi
050 4 _aNX1-820
072 7 _aAB
_2bicssc
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_2thema
100 1 _aCorbet, David.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_989071
245 1 0 _aTrauma, Art and Memory in the Postcolony
_h[electronic resource] :
_bTurning Sorrow into Meaning /
_cby David Corbet.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXXX, 461 p. 51 illus., 48 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aPart One Prelude: On Mind And Matter -- Chapter 1: On Perception -- Chapter 2: On Trauma -- Chapter 3: On Ontology -- Part Two: Historia - In The Postcolony -- Chapter 4: Decolonial Narratives -- Chapter 5: Resistance And Resilience -- Part Three: Mnemonikos - Public / Memory / Monumen -- Chapter 6: Doing Art In Public -- Chapter 7: The Decolonial Museum -- Part Four: Praxis - Making Art & Exhibitions -- Chapter 8: Art & Conflict -- Chapter 9: Reclaiming Memory -- Chapter 10: Exhibitionary Cultures -- Chapter 11: Recentering The Artist -- Part Five: Topos – Locations Of Culture -- Chapter 12: On Locational Identity -- Chapter 13: On Itineracy -- Chapter 14: Into The Cybersphere.
520 _aThis wide-ranging book provides a scholarly account of recent and contemporary memorial and counter-memorial practices occurring in the visual arts, across diverse postcolonial topologies and imaginaries. The emphasis is on commemorative creative practices and responses to traumatic events of recent times, within and beyond the Museum. This major survey encompasses discourses on perception, affect and trauma in the visual arts; commissioned civic art and memorial architecture; activist and socially-engaged art projects; creative praxis; and expressions of minority and First Nations cultural resilience. The book offers insights into contemporary exhibitionary practices; decolonial methodologies; and spatial politics, with a significant focus on art’s ability to reveal and reactivate silenced histories, sites and ‘non-places’. It will be of great interest to students, researchers and subject experts alike, across the fields of visual arts, architecture and urban planning; cultural and memory studies; and trauma and affect studies; contextualising the work of artists and curators within some of the most urgent socio-political, environmental and philosophical debates of the twenty-first century. Dr David Corbet is an educator, writer, artist/designer and curator based in Sydney. He is the author of numerous articles and book chapters on trans-disciplinary visual cultures and global exhibition practice. He lectures and tutors at Australian universities, teaching into art and design; history and theory; and visual communications streams. In addition to leading independent curatorial projects, he heads a long-established art and design consultancy with diverse clients in many sectors worldwide, and is a practising artist across traditional and experimental media.
650 0 _aArts.
_965405
650 0 _aCollective memory.
_968201
650 1 4 _aArts.
_965405
650 2 4 _aMemory Studies.
_968202
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031709418
776 0 8 _iPrinted edition:
_z9783031709432
776 0 8 _iPrinted edition:
_z9783031709449
856 4 0 _uhttps://doi.org/10.1007/978-3-031-70942-5
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