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020 _a9783031669514
_9978-3-031-66951-4
024 7 _a10.1007/978-3-031-66951-4
_2doi
050 4 _aPN1600-3307.2
072 7 _aAP
_2bicssc
072 7 _aPER004000
_2bisacsh
072 7 _aAT
_2thema
100 1 _aEl Hassan, Azza.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_989302
245 1 4 _aThe Afterlife of Palestinian Images
_h[electronic resource] :
_bVisual Remains and the Archive of Disappearance /
_cby Azza El Hassan.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXXIV, 180 p. 84 illus., 74 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in Arab Cinema,
_x2731-4901
505 0 _a -- CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE.
520 _aThe Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Azza El Hassan is an award-winning filmmaker whose works include The Unbearable Presence of Asmahan (2014), Kings & Extras (2004), and News Time (2001). She is the founder of The Void Project (thevoidproject.org), an artistic exploration of the effect of looting and destruction of Palestinian visual archives on the formation of a modern Palestinian visual narrative. She received her Ph.D. from Sheffield Hallam University, UK, and is a visiting professor of practice at the Doha Institute for Graduate Studies in Qatar.
650 0 _aMotion pictures.
_958496
650 0 _aArt, Modern
_x21st century.
_966083
650 0 _aCommunication.
_959615
650 0 _aMiddle East
_xPolitics and government.
_969672
650 1 4 _aGlobal Film and TV.
_969726
650 2 4 _aContemporary Art.
_966085
650 2 4 _aMedia and Communication.
650 2 4 _aMiddle Eastern Politics.
_969673
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031669507
776 0 8 _iPrinted edition:
_z9783031669521
776 0 8 _iPrinted edition:
_z9783031669538
830 0 _aPalgrave Studies in Arab Cinema,
_x2731-4901
_971172
856 4 0 _uhttps://doi.org/10.1007/978-3-031-66951-4
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c65910
_d65910