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024	7		_a10.1007/978-3-031-65846-4 _2doi
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072		7	_aQRJ _2thema
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100	1		_aPimentel, Dror. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _990714
245	1	0	_aAesth-ethics _h[electronic resource] : _bOf Hospitality in Art / _cby Dror Pimentel.
250			_a1st ed. 2024.
264		1	_aCham : _bSpringer Nature Switzerland : _bImprint: Palgrave Macmillan, _c2024.
300			_aXIV, 294 p. 10 illus. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_aChapter 1. Introduction: The Work of the Artwork -- Chapter 2. Of Hospitality: From Ethics to Aesth-ethics -- Chapter 3. Rilke’s Testimony -- Chapter 4. Specters of Beuys -- Chapter 5. The Homeland of the Unhomely -- Chapter 6. My Name Is Not Odradek -- Chapter 7. Who by Fire -- Chapter 8. The Haunted Signifier -- Chapter 9. The Gift of Violence -- Chapter 10. Conclusion: Towards Aesth-ethics.
520			_aThe question of hospitality is the most pressing question in contemporary thought: How can we host that which is utterly Other, that which resists all conceptualization, and thus disrupts the proper course of thought? In the current book, the discussion of hospitality is given a new conceptualization, and extended to the field of aesthetics: the event of hospitality does not occur in the face-to-face encounter with the other person, as Emmanual Levinas conceived of it, but rather in the encounter with the work of art itself. Writing about the event of hospitality—as it is eventuated in art—involves subverting the traditional precedence of theory over practice. This subversion is also evident in the indifference to traditional distinctions, such as those between poetry and visual art; modern art and classical art; international art and local art. Moreover, most of the artworks considered throughout are hybrid in character: they are suspended in the space between the visual and the verbal, whether they involve the verbal representation of a visual object (as in Rilke’s poem “Archaic Torso of Apollo”), or a visual representation of a verbal object (as in Anselm Kiefer’s work “Your Golden Hair Margarete”). The consideration of these and other works come together to give rise to a novel and original discourse on art that is termed “Aesth-ethics,” and which is presented for the first time in this volume. Prof. Dror Pimentel lectures in the department of Visual and Material Culture and in the MA Program of Policy and Theory of the Arts, Bezalel Academy of Arts and Design, Jerusalem. Pimentel’s book Aesthetics (2014) and his translation of Heidegger’s “Letter on Humanism" (2018) were published in Hebrew. His book Heidegger with Derrida: Being Written was published by Palgrave Macmillan (2019).
650		0	_aJudaism _xDoctrines. _975657
650		0	_aContinental Philosophy. _966476
650		0	_aTheology. _969781
650		0	_aReligion _xPhilosophy. _968553
650	1	4	_aJewish Theology. _975658
650	2	4	_aContinental Philosophy. _966476
650	2	4	_aChristian Theology. _969782
650	2	4	_aPhilosophy of Religion. _968554
710	2		_aSpringerLink (Online service)
773	0		_tSpringer Nature eBook
776	0	8	_iPrinted edition: _z9783031658457
776	0	8	_iPrinted edition: _z9783031658471
776	0	8	_iPrinted edition: _z9783031658488
856	4	0	_uhttps://doi.org/10.1007/978-3-031-65846-4
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