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001 10.1002/9781394297740
003 Wiley
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020 _a9781394297740
_qelectronic
024 7 _a10.1002/9781394297740
_2doi
041 _aeng
100 1 _aRéveillac, Jean‐Michel
_4aut
_991968
245 1 0 _aSynthesizers and Subtractive Synthesis 2
_bApplication and Practice
_h[electronic resource]
_cJean‐Michel Réveillac
250 _a1
260 _bWiley
_c2024
264 1 _bWiley
_c2024
300 _a304pp.;
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_2rdaft
347 _bPDF
520 _aSubtractive sound synthesis is one of the most widely used techniques in electronic music and in many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation is complex, involving many parameters. It can be enhanced by a variety of effects that give the sound its authenticity, and does not simply imitate musical instruments, but can also transcribe noises present in natural soundscapes or generate entirely synthetic sounds. Synthesizers and Subtractive Sound Synthesis 2 presents practical exercises, ranging from the fundamentals to advanced functionalities. Most of the sound effects applicable to subtractive synthesis are covered: vibrato, phaser, reverb, etc. The final chapters deal with polyphony and arpeggiator-sequences.
650 4 _aMethods - Synthesis & Techniques
_991081
650 4 _aAudiology
_991969
650 4 _aSound Protection Engineering
_991970
653 0 0 _asubtractive sound synthesis; synthesizers; natural soundscapes; synthetic sounds; vibrato; phaser; reverb; polyphony; arpeggiator-sequences
776 0 8 _iPrinted edition:
_z9781786309259
856 4 0 _uhttps://doi.org/10.1002/9781394297740
_aWiley Online Library
856 4 0 _uhttps://onlinelibrary.wiley.com/action/showBook?doi=10.1002%2F9781394297740
_aWiley Online Library
856 4 2 _3Cover Image
_uhttps://onlinelibrary.wiley.com/cms/asset/a26826e7-2e7a-4b8f-a686-ee27e464da41/9781394297740.cover.gif
_aWiley Online Library
999 _c67168
_d67168