000 03699cam a22005898i 4500
001 9781003142393
003 FlBoTFG
005 20251030122228.0
006 m o d
007 cr |||||||||||
008 220601s2023 enk ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9781003142393
_q(ebook)
020 _a1003142397
020 _a9781000728187
_q(electronic bk. : PDF)
020 _a1000728188
_q(electronic bk. : PDF)
020 _a9781000728248
_q(electronic bk. : EPUB)
020 _a1000728242
_q(electronic bk. : EPUB)
020 _z9780367688776
_q(hardback)
020 _z9780367695859
_q(paperback)
024 7 _a10.4324/9781003142393
_2doi
035 _a(OCoLC)1332890675
035 _a(OCoLC-P)1332890675
050 0 0 _aNX160
072 7 _aBUS
_x074000
_2bisacsh
072 7 _aBUS
_x025000
_2bisacsh
072 7 _aART
_x043000
_2bisacsh
072 7 _aKJVX
_2bicssc
100 1 _aWhite, Jason C.,
_d1982-
_eauthor.
_992822
245 1 0 _aInnovation in the arts :
_bconcepts, theories, and practices /
_cJason C. White.
264 1 _aAbingdon, Oxon :
_bRoutledge,
_c[2023]
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aKey terms for mutual understanding -- A theory of art innovation -- A theory of art movement innovation -- A theory of audience experience innovation -- Conclusions and suggested directions.
520 _a"This concise guide aims to increase what we understand by innovation in the arts and identify and support opportunities and strategies for the unique ways in which artists and arts administrators think about, engage in, and pursue successful innovation in their diverse creative practice. Innovations in the Arts are often marginalized from a research perspective, in part because of the lack of a sound and compelling theoretical framework to support and explain process distinctions from business and management innovation. This book identifies three key concepts - art innovation; art movement innovation and audience experience innovation - supported by formal theory for each concept presented and evidenced through case studies in art history. In this way, the book enables readers to identify, explain and support their innovation efforts as visual, literary and performing artists and arts administrators. It also explores strategies for pursuing innovation in practice. Drawing attention to the unique ways in which artists and arts administrators think about and engage in innovation, this readable book will be essential reading for students in all aspects of the creative and cultural industries and an essential guide to developing and promoting innovation in the arts for practitioners and researchers alike"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aCreation (Literary, artistic, etc.)
_960114
650 0 _aArtists
_xPsychology.
_992823
650 0 _aArts administrators
_xPsychology.
_992824
650 0 _aCreative thinking.
_992825
650 0 _aOrganizational change.
_957774
650 7 _aBUSINESS & ECONOMICS / Nonprofit Organizations & Charities
_2bisacsh
_992826
650 7 _aBUSINESS & ECONOMICS / Entrepreneurship
_2bisacsh
_965335
650 7 _aART / Business Aspects
_2bisacsh
_992827
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003142393
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
942 _cE-Books
999 _c67400
_d67400