| 000 | 04004cam a2200541 i 4500 | ||
|---|---|---|---|
| 001 | 9781003370666 | ||
| 003 | FlBoTFG | ||
| 005 | 20251030122241.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 250218s2025 nyu go 000 0 eng d | ||
| 040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
||
| 020 |
_a9781003370666 _q(electronic bk.) |
||
| 020 |
_a1003370667 _q(electronic bk.) |
||
| 020 | _z9781032441429 | ||
| 020 |
_a9781040331965 _q(electronic bk. : PDF) |
||
| 020 |
_a1040331963 _q(electronic bk. : PDF) |
||
| 020 |
_a9781040332306 _q(electronic bk. : EPUB) |
||
| 020 |
_a1040332307 _q(electronic bk. : EPUB) |
||
| 020 | _z9781032441399 | ||
| 024 | 7 |
_a10.4324/9781003370666 _2doi |
|
| 035 | _a(OCoLC)1500087395 | ||
| 035 | _a(OCoLC-P)1500087395 | ||
| 050 | 4 | _aNX180.S6 | |
| 072 | 7 |
_aSOC _x022000 _2bisacsh |
|
| 072 | 7 |
_aSOC _x050000 _2bisacsh |
|
| 072 | 7 |
_aSOC _x031000 _2bisacsh |
|
| 072 | 7 |
_aJHB _2bicssc |
|
| 100 | 1 |
_aPeddie, Ian, _eauthor. _1https://id.oclc.org/worldcat/entity/E39PCjHk3gBQmpH7Wj3wrxxBCP _994002 |
|
| 245 | 1 | 0 |
_aCulture, the Arts, and Inequality : _bAmerican Artists and Social Justice / _cIan Peddie. |
| 264 | 1 |
_aNew York : _bRoutledge, _c2025. |
|
| 300 | _a1 online resource (x, 152 pages). | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 505 | 0 | _aAcknowledgementsIntroduction1. Langston Hughes and "Negro Neighborhoods": From the Ghetto to the Hyperghetto2. Exclusionary Discourses, Articulated Disadvantages: Nelson Algren andThe Politics of Inequality in Mid-Century America.3. Thomas McGrath: The Moral Obligation to Those Who Suffer4. Ann Petry: The Spatiality of Injustice5. The Privacy of Pain: Gwendolyn Brooks and the Privations of Property6. Village Ghetto Land: Stevie Wonder and the Arrival of the Hyperghetto7. Gil Scott Heron: Revolution of the MindEpilogueBibliography | |
| 520 | _aExamining how writers and musicians respond to attempts to define and categorize inequality in moral terms, Culture, the Arts and Inequality: American Artists and Social Justice analyzes the writers and artists who challenge the moral categories through which inequality has been maintained and mobilized. Beginning with the work of Langston Hughes, whose fears for the African American community echo fifty years later in Stevie Wonder's urban chronicles, and including key American voices such as Nelson Algren, Thomas McGrath, Ann Petry, and Gwendolyn Brooks, as well as "Godfather of Rap" Gil Scott-Heron, this book tackles the mechanisms that compelled writers and musicians to reassert the worth and value of those they wrote about, opposing the fixing in place of moral classifications applied to cultures and people deemed of little worth. Without adequate analysis of those classifications, and particularly the role of moral attribution in identifying and categorizing those deemed unworthy, we struggle to understand inequality's impact on society and individuals--leading to a partial conceptualization of how it is understood and experienced. Recognizing that new ways of thinking about class, dominated by moral questions but with real material effects, and its impact on writers, musicians, and society are at stake, this interdisciplinary project redefines discourses on inequality in the United States today. | ||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aArts and society _zUnited States. _994003 |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Popular Culture _2bisacsh _994004 |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Social Classes _2bisacsh _959187 |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Discrimination & Race Relations _2bisacsh _994005 |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003370666 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 942 | _cE-Books | ||
| 999 |
_c67688 _d67688 |
||