| 000 | 03426cam a22005538i 4500 | ||
|---|---|---|---|
| 001 | 9781003540922 | ||
| 003 | FlBoTFG | ||
| 005 | 20251030122300.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 240821s2025 nyu ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9781003540922 _q(ebook) |
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| 020 | _a1003540929 | ||
| 020 |
_a9781040269336 _q(electronic bk. : EPUB) |
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| 020 |
_a1040269338 _q(electronic bk. : EPUB) |
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| 020 |
_a9781040269268 _q(electronic bk. : PDF) |
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| 020 |
_a1040269265 _q(electronic bk. : PDF) |
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| 020 |
_z9781032890371 _q(hardback) |
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| 020 |
_z9781032890425 _q(paperback) |
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| 024 | 7 |
_a10.4324/9781003540922 _2doi |
|
| 035 | _a(OCoLC)1452966516 | ||
| 035 | _a(OCoLC-P)1452966516 | ||
| 050 | 0 | 0 | _aPR3072 |
| 072 | 7 |
_aLIT _x000000 _2bisacsh |
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| 072 | 7 |
_aLIT _x015000 _2bisacsh |
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| 072 | 7 |
_aPOE _x026000 _2bisacsh |
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| 072 | 7 |
_aDDS _2bicssc |
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| 100 | 1 |
_aJackson, MacDonald P. _q(MacDonald Pairman), _eauthor. _1https://id.oclc.org/worldcat/entity/E39PBJkXvyjvFtpbbkK4XWtR8C _995653 |
|
| 245 | 1 | 0 |
_aShakespeare, dramatic poetry and value / _cMacDonald P. Jackson. |
| 264 | 1 |
_aNew York, NY : _bRoutledge, _c2025. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge studies in Shakespeare | |
| 520 |
_a"This book redirects attention to a truth largely ignored by recent criticism--that Shakespeare's excellence as a playwright is inextricable from his excellence as a poet. It explores the diverse means by which Shakespeare's poetry enriches his drama, illustrating how particular words in a particular order render his dialogue distinctive and create supreme literary and dramatic value. By examining many passages, long and short and from a variety of Shakespeare's plays--comedies, histories, tragedies, late plays--the author aids understanding of the poetic effects that make Shakespeare preeminent. His analyses, alert to textual variants and cruxes, are illuminated by comparisons: Shakespeare's early verse is compared with his later verse, and samples of Shakespearean dialogue are compared with versions in later adaptations, in modernizations, and in inferior quarto texts, and with contributions by his co-authors to collaborative plays. The contrasts throw into relief the surpassing vitality and expressiveness of Shakespeare's own language. Since the rhythmic vitality of Shakespeare's verse is essential to how and what it communicates, an appendix on the principles of iambic pentameter is included to support those aspects of the analyses that refer to acoustic subtleties"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xLiterary style. _995654 |
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xLanguage. _992777 |
| 650 | 7 |
_aLITERARY CRITICISM / General _2bisacsh |
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| 650 | 7 |
_aLITERARY CRITICISM / Shakespeare _2bisacsh _992779 |
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| 830 | 0 |
_aRoutledge studies in Shakespeare. _995655 |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003540922 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 942 | _cE-Books | ||
| 999 |
_c68127 _d68127 |
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