| 000 | 03340cam a2200577Ma 4500 | ||
|---|---|---|---|
| 001 | 9781032676937 | ||
| 003 | FlBoTFG | ||
| 005 | 20251030122304.0 | ||
| 006 | m d | ||
| 007 | cr |n||||||||| | ||
| 008 | 241012s2025 nyu o ||| 0 eng d | ||
| 040 |
_aOCoLC-P _beng _cOCoLC-P |
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| 020 |
_a9781032676937 _q(Taylor and Francis) |
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| 020 | _a1032676930 | ||
| 020 |
_a9781040264867 _q(electronic bk. : EPUB) |
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| 020 |
_a1040264867 _q(electronic bk. : EPUB) |
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| 020 |
_a9781040264829 _q(electronic bk. : PDF) |
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| 020 |
_a1040264824 _q(electronic bk. : PDF) |
||
| 024 | 7 |
_a10.4324/9781032676937 _2doi |
|
| 035 | _a(OCoLC)1463289548 | ||
| 035 | _a(OCoLC-P)1463289548 | ||
| 050 | 4 | _aPN1590.T44 | |
| 072 | 7 |
_aPER _x000000 _2bisacsh |
|
| 072 | 7 |
_aPER _x011000 _2bisacsh |
|
| 072 | 7 |
_aPER _x011020 _2bisacsh |
|
| 072 | 7 |
_aAN _2bicssc |
|
| 100 | 1 |
_aFuoco, Ester. _996012 |
|
| 245 | 1 | 0 |
_aDeviations in Contemporary Theatrical Anthropology _h[electronic resource] : _bNew Myths and Performative Rituals between XR, Robots and AI. |
| 260 |
_aNew York, USA _bRoutledge _c2025. |
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| 300 | _a1 online resource (114) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge advances in theatre & performance studies | |
| 520 | _aThis book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system. This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machinesand through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises, in which the experimentation of AI-driven creativity and the new human-robot interaction (HRI) lead to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience. This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities. | ||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aPerforming arts _xTechnological innovations. _996013 |
|
| 650 | 0 |
_aTheater _xTechnological innovations. _996014 |
|
| 650 | 0 |
_aTechnology and the arts. _996015 |
|
| 650 | 0 |
_aHuman-computer interaction. _964854 |
|
| 650 | 0 |
_aArtificial intelligence. _958441 |
|
| 650 | 7 |
_aPERFORMING ARTS / General _2bisacsh _992357 |
|
| 650 | 7 |
_aPERFORMING ARTS / Theater / General _2bisacsh _992358 |
|
| 650 | 7 |
_aPERFORMING ARTS / Theater / History & Criticism _2bisacsh _994058 |
|
| 830 | 0 |
_aRoutledge advances in theatre and performance studies. _993275 |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781032676937 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 942 | _cE-Books | ||
| 999 |
_c68238 _d68238 |
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